Tuesday, October 2, 2018
Paul Mpagi Sepuya
Paul Mpagi Sepuya (b. 1982, San Bernardino, CA) lives and works in Los Angeles, where he received an MFA in photography at UCLA in 2016. From 2000 - 2014 Sepuya resided in New York City, receiving a BFA from New York University’s Tisch School of the Arts in 2004. Sepuya became known for his 2005 - 2007 zine series “SHOOT” and first monograph, “Beloved Object & Amorous Subject, Revisited” (2008), along with contributions and features in BUTT Magazine, and participation and collaborations in the re-emergence of queer zines culture of the 2000s. He went on to participate in Artist-in-Residence programs at the Lower Manhattan Cultural Council, the Center for Photography at Woodstock, The Studio Museum in Harlem and Fire Island Artist Residency.
Sepuya’s work is in the permanent collections of the Museum of Modern Art, the Whitney Museum of American Art, the Guggenheim Museum, the Studio Museum in Harlem, the International Center for Photography, the Cleveland Museum of Art, the Milwaukee Art Museum and the Carnegie Museum, among others. Solo exhibitions include “Dark Room” at Document, Chicago in 2018 and “Dark Room” at team (bungalow), Los Angeles and “Figures, Grounds and Studies” at Yancey Richardson Gallery, New York City both in 2017. His work was featured in “Being : New Photography 2018” at the Museum of Modern Art, New York City, and “Trigger” at the New Museum in 2017. His first European museum exhibition, “Double Enclosure” will open this fall at Fotomuseum Amsterdam.
Sepuya’s work has been covered and published in ARTFORUM, Aperture, The New Yorker, The New York Times, Art Review, Frieze, Art in America, Monocle,Osmos, The Nation, and he is a recipient of the 2017 Rema Hort Mann Foundation’s grant for Los Angeles artists.
Tuesday, October 9, 2018
Ina Jang
Ina Jang graduated with a BFA in Photography in 2010 and completed her studies in the MPS Fashion Photography Program in 2012 from the School of Visual Arts. Her works have been shown in internationally acclaimed galleries and festivals, including the New York Photo Festival, Daegu Photo Biennale, Paris Photo, Unseen and Flatland Gallery in Amsterdam.
She was a Foam Talent and a finalist at the Hyères Festival in 2011. In 2016, Photo District News announced her as one of the PDN 30 Emerging Photographers. Her latest project "Utopia", was shown last year at Musée des beaux-arts Le Locle in Switzerland. Her works have been published in Time Magazine, British Journal of Photography, IMA Maga- zine, and the New York Times Magazine.
Tuesday, November 6, 2018
Jill Magid
American artist Jill Magid’s work is deeply ingrained in her lived experience, exploring and blurring the boundaries between art and life. Through her performance-based practice, Magid has initiated intimate relations with a number of organizations and structures of authority. She explores the emotional, philosophical and legal tensions between the individual and ‘protective’ institutions, such as intelligence agencies or the police. To work alongside or within large organizations, Magid makes use of institutional quirks, systemic loopholes that allow her to make contact with people ‘on the inside’. Her work tends to be characterized by the dynamics of seduction, the resulting narratives often taking the form of a love story. It is typical of Magid’s practice that she follows the rules of engagement with an institution to the letter – sometimes to the point of absurdity.
With solo exhibitions at institutions around the world including Museo Universitario Arte Contemporáneo (MUAC), Mexico City; Tate Modern, London; Whitney Museum of American Art, New York; Berkeley Museum of Art, California; Tate Liverpool; the Stedelijk Museum Bureau Amsterdam; Yvon Lambert, Paris and New York; Gagosian Gallery, New York; and the Security and Intelligence Agency of the Netherlands, Magid has received awards from the Fonds Voor Beeldende Kunsten, the Netherland-American Foundation Fellowship Fulbright Grant, and the 2017 Calder Prize. Magid has participated in the Liverpool, Lyon, Bucharest, Singapore, Incheon, Gothenburg, and Performa Biennials, and Manifesta, among others. She is an Associate of the Art, Design and the Public Domain program at the Graduate School of Design at Harvard University, and a 2013-15 fellow at the Vera List Center for Art and Politics. An adjunct teacher at Cooper Union, Magid is the author of four novellas. Her first feature film, The Proposal, premiered at Tribeca Film Festival 2018 and received an Honorable Mention for Best Emerging Filmmaker at Hot Docs in Toronto. Her work is included the collections of the Whitney Museum of American Art, Fundacion Jumex, and the Walker Art Center, among others.